J. MARTINS FT FLAVOUR - OBIOMA

Image: 2523-J-Martins-Ft-Flavour--Obioma
Veteran hit-maker J.Martins and Oringo master Flavour closes the year 2017 with a monstrous remix to one of J.Martins songs “Obioma”.

the songsters with impeccable candor and matchless creativity returns to the studio to wow there legion of fans like never before. It’s only an empirical fact that, one of Nigeria’s most successful career musicians, J.Martins effortlessly enjoys admiration of a crowd of fans around Africa, thanks to his multifarious talents.

He teamed up with his igbo brother Flavour to bring us a song that’s good enough for this december celebrations .

He has this to say to his fans all over the world, I’m grateful to you all my super fans for showing me love and support. To all my friends and every lover of igbo music, I’m delighted to present to you by popular demand “Obioma Remix”.

I will like to recognize some friends of mine who made some extraordinary contributions on this project , i really doappreciate them all.
Avalon The Video Herbalist & His crew Members: Monkas Kalu ( a very good friend and big brother indeed ): George Nathanael.

For every great music fan and fanatic, “Obioma Remix” takes us swiftly on a memory lane to how the genre affected our emotions and psyche. Enjoy the new anthem from J Martins the Urban Afro-Pop tastemaker whose respect for art is legendary.

J. Martins Ft Flavour - Obioma
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Views23 Posted By Albert ♣ 06-Dec 2017 Report

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AFRO MUSIC
Like the music of Asia, India and the Middle East, it is a highly rhythmic music. African music consists of complex rhythmic patterns, often involving one rhythm played against another to create a polyrhythm. The most common polyrhythm plays three beats on top of two, like a triplet played against straight notes. Beyond the rhythmic nature of the music, African music differs from Western music in that the various parts of the music do not necessarily combine in a harmonious fashion. African musicians unlike Western musicians, do not seek to combine different sounds in a way that is pleasing to the ear. Instead their aim is to express life, in all its aspects, through the medium of sound. Each instrument or part may represent a particular aspect of life, or a different character; the through-line of each instrument/part matters more than how the different instruments and parts fit together. Understanding African music gets even more difficult when you consider that it does not have a written tradition; there is little or no written music to study or analyze. This makes it almost impossible to notate the music – especially the melodies and harmonies – using the Western staff. There are subtle differences in pitch and intonation that do not easily translate to Western notation. That said, African music most closely adheres to Western tetratonic (three-notes), pentatonic (five-note), hexatonic (six-note), and heptatonic (seven-note) scales. Harmonization of the melody is accomplished by singing in parallel thirds, fourths, or fifths. Another distinguishing form of African music is its call-and-response nature: one voice or instrument plays a short melodic phrase, and that phrase is echoed by another voice or instrument. The call-and-response nature extends to the rhythm, where one drum will play a rhythmic pattern, echoed by another drum playing the same pattern. African music is also highly improvised. (This speaks to the lack of a written tradition.) A core rhythmic pattern is typically played, with drummers then improvising new patterns over the static original patterns.

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